In Na Hong-jin’s latest film, “Hope,” violent small-town comedy and big-budget Hollywood imperialism collide. www.newyorker.com/magazine/202...

How each outlet headlined it

• The New Yorker

  In Na Hong-jin’s latest film, “Hope,” violent small-town comedy and big-budget Hollywood imperialism collide. www.newyorker.com/magazine/202...
  
• Screen Rant

  Hope's Hoyeon & Na Hong-jin explain how their sci-fi thriller made its aliens feel human, and why the film stands alone while weaving a larger story.